Site

Anchored in the historic Southern Pavilion, once the Pavillons des amateurs, PART occupies a building shaped by more than a century of artistic production. The renovation completed between 2023 and 2025 brought the structure into the present while preserving the resonance of its past.
THE HALL at PART is conceived as a site of artistic imminence. Neither white cube nor studio, rising 17 meters with a bristling skylight, it operates as a porous zone that connects international artistic discourses with societal, political, and ecological questions articulated within Austria’s diverse communities.
In close proximity are PART’s project studios, accommodating up to six residents at a time. Together with the BAR DES AMATEURS, adjoining THE HALL, they form a constellation of spaces in which working, showing, and gathering contour one another.

History

Austria’s state sculptor studios have been located in the spacious inner-city park of the Prater since 1873. They were originally built as pavilions for the fifth World’s Fair, which, for the first time, was devoted to art on a large scale. A special cluster of buildings was erected for presenting contemporary and historical works: a large art hall, which has not survived, and the two Pavillons des amateurs, in which the collections of private art collectors (Fr. amateurs) were to be shown. Most of the more than 100 buildings erected were demolished once the World Fair ended. The Pavillons des amateurs were repurposed however into sculptor studios and their architectural structure adapted accordingly. Since 1876 they are leased to contemporary artists.

text by Matthias Boeckl, 2025
reading time: 8 - 10 minutes 

A central hall in one of the Pavillon des amateurs, Vienna 1873

Drawing for the adaptation of both Pavillons des amateurs in the k. k. Prater, profile

Drawing for the adaptation of both Pavillons des amateurs in the k. k. Prater, plan for the souterrain

Drawing for the adaptation of both Pavillons des amateurs in the k. k. Prater, plan for the ground floor

North Pavillon des amateurs, architecture exhibition, model of the Museum of Fine Arts, Vienna, by Gottfried Semper and Carl von Hasenauer

North Pavillon des amateurs, architecture exhibition, model of Vienna city hall by Friedrich von Schmidt

North Pavillon des amateurs, architecture exhibition, model of the University of Vienna by Heinrich von Ferstel

Pavillon des amateurs, view of the portal

Pavillon des amateurs, cross-section view of a small and large exhibition hall

Pavillon des amateurs, cross-section view through a side vestibule and a hall

Pavillon des amateurs, ground plan

South Pavillon des amateurs, portico

South Pavillon des amateurs, view from the north

North Pavillon des amateurs, west wing

North Pavillon des amateurs, view from the south

North Pavillon des amateurs, portico

North Pavillon des amateurs, view from the southwest

Triumphal arch of the Wienerberger brick factory (eastern side of the art court)

Arcade in the art court with sculpture exhibition

Art hall in the court, eastern side

Art hall in the court, eastern portico

Art exhibition building, western side with the Ahmed fountain, Vienna World’s Fair 1873

Art court under construction, view from the east

Site map of the art court, in: World’s Fair 1873 in Vienna. Official Art Catalogue

Site map of the Vienna World’s Fair, detail with the art court

Art court from above

Art court under construction, view from the southwest

Vienna World’s Fair, rotunda and industry palace

Vienna at the time of the World’s Fair, bird’s eye perspective from the northeast

The World Fair palace

Vienna World’s Fair, view of the rotunda with swan pond

View of the World’s Fair 1873 from a bird’s eye perspective

Praterateliers

The Southern and Northern Pavilions, long known as the Praterateliers and formerly home to the Federal Sculpture Building, have hosted generations of artists for roughly 150 years. This continuity persists: fifteen artists currently work on site, sustaining a direct, daily exchange with Vienna’s broader art scene.